Attack of the Floating Head!

Hey folks, Ryan here. This post sees me returning to the theme of graphic design in film promotion, but I swear there is an underlying message that can be applied to all design.

That message: Trends become stale and unappealing, and fast.

The biggest example of this that I can think of is the "floating head" movie poster. You've all seen them. Every other poster that lines the theater walls shows giant, disembodied heads of Brad Pitt and Tom Cruise on top of some abstract blurry colors with a small explosion or car chase in the bottom right corner. It may have worked for the first few films, but it is painfully clear that these are uninspired and lazy.

The floating head poster has no doubt already solidified it's place in the internet meme hall-of-fame alongside lolcats, chocolate rain and the winnebago man. And yet here we are, 2009, and the floating heads continue to barrage this designer's eyeballs when he visits the local multiplex or purchase a blu-ray. Well, a lot could be said about the correlation between film-marketing and film-quality, but that's an entirely different post; and as I pointed out in my previous article on movie posters, there still is eye-popping design coming out to this day, though few and far between. So what makes this design approach sustainable? How does this appeal to audiences. What is it about these horrid, conservative designs that still aid in getting a man or woman to plunk down their hard-earned $12 to go see that screening?

Here, kids, lies the trouble with trend.

On the whole, trends can be great. Trends can prove to be progressive for technology and design and general public thought. That is, if the trend is embraced as a starting point or a status quo. A trend should not mean the apex of popularity or thought - that's when the snap bracelets start slitting wrists and Eddie Murphy's 30 foot swollen head tries to sell you on Nutty Professor IV: Forrest Klump. Trends, be it in print design or web, should be analyzed and inspiring, but never copied and continued. It's one of the trickiest dragons I battle with weekly, especially in the fickle land of web-design.

You see, print design has more room to breath, it's got more give. There's almost literally a blank canvas there for the designer to paint broad, colorful, masterful strokes, the bounds of the project very little in a lot of cases. Designing for the web can be equally as full of creative opportunity, but with a tighter pair of pants. Web-design is the Wooderson of creativity (think Matthew McConaughey, Dazed & Confused). My point is, web-design is very restrained, and that makes it incredibly easy to fall into a trend.

Let's do a little experiment. Open up a new tab in your browser (don't close this one!) and pull up the Google. Think of a letter in the alphabet, then think of a food or animal that starts with that letter. I chose 'B' and subsequently 'broccoli'. Enter that food or animal into the Google and hit search. Click on the first link that comes up in your search (one that isn't Wikipedia).

I will bet a hundred dollars that the page you made it to had most of the following:

• Logo, no bigger than 175px x 250px, in the top-left corner
• Colored background
• Centered content area no wider than 900px
• Arial or Times as the sole or secondary font throughout the entire site
• One of, if not both: Standard text links for navigation horizontally or vertically at the top and left of the content area, respectively

Cue the floating head poster.

The reason for that little experiment is self-referential really; of course the majority of web-sites follow this grid. What I'm asking myself, and other web-designers, is do we need to continue forcing ourselves into these tight, uncomfortable, acid-washed pants? What we need to do, as a community and as progressive-thinkers, is sit down and re-evaluate the logistics of where we start when we design a website.

The grid system we sketch out on paper is breaking and in turn the majority of websites are stale. The trends themselves are vanilla. But herein lies the problem, just like floating heads in the theater lobby, they still sell. Sure you could make the argument "that movie poster/website/packaging gets the consumer, the target, from point A to B", but I say nay. We'll get them to B alright, but let's not have them fall asleep on the ride as if their Dad had piped in Moody Blues for 6 hours without so much as an Archie Double Digest to keep you entertained.

So where do we, as web-designers, as creators, go from here? We can't very well break our top-left-centered-955px-verdana habit now can we? The web hasn't quite evolved yet. But what's taking it so long? Is it NETLOR, the terrifying beast that controls the internet and tells us when it's okay to go above and beyond what we've been doing for 10 years? Well I don't believe in NETLOR, and quite frankly the idea frightens me. It's the trend that's holding everything back. The trend dictates what everyone should do, thus creating the environment we operate in and its limitations.

If everyone were to use the trend as a starting point, a base you don't go below, working only to improve on that, I think the web as we know it would be incredibly different, and incredibly cool.

I don't know what it will take to rid our lives of those terrible floating head posters though.

The Twials and Twibulations of Tweeting

Hands up, all of you who have tweeted sometime in the last twenty-four hours...

No need to blush now, tweeting is safe, fun and all the rage! Even your kids can do it!

Unless you've been living under a rock for the last year, you will have no doubt heard of Twitter, the latest and greatest tool for online networking. I am a huge fan and user of twitter, but I'll touch more on why I like it later on. For now, let me explain what twitter is.

I get asked weekly what twitter is, and you know it is incredibly difficult to answer this and get across the value and importance of it.

"Isn't it just, like, Facebook status updates?", I hear nine out of ten times. Well, yes and no. The concept of twitter is very simple: In 140 characters or less, what are you doing?

Unlike MySpace, there are no sections for friends and music. Unlike Facebook there is no creeping through your roommate's cousin's friends photo albums or zombie pokes. You get one page, your timeline if you will. People, other "twitterers", or "tweeters", or "tweeps", whatever you want to call them, can choose to follow you. When someone follows you, your "tweets" (a term used to describe each deployment of information) will show up on their timeline along with tweets from their followers. Just because someone follows you does not mean inter-connection is made; as a user you get to choose who you follow, regardless of if they follow you or not. This means that with twitter, you control what information and communications you are getting from your timeline. Being a user and having the ability to tailor your audience to your updates is a pretty phenomenal thing, and ultimately where Facebook and MySpace fail. 

Remember, it's not about quantity, it's about quality. If you build it, they will come.

It has been described as "micro-blogging", the idea of short, rapid updates of personal information, but herein lies the trouble with twitter. You see, twitter has become very well known very quickly and there is a huge misconception regarding its use. Yes the question posed is what are you doing?, but is it as simple as that? The internet has been inundated with numerous videos and comics depicting twitter as an incessant and pointless bug. The problem here is that these parodies are not necessarily wrong.

If you answer twitter's question with "eating a ham sandwich", you're doing it wrong.

 

When used correctly, twitter can become a powerful networking and marketing tool.

To really hit the sweet-spot with twitter, you need to do three things.

1. Tweet useful and/or interesting information. No one cares that you're "on my way to the gym!" or just saying "whuzup? w00t!". If you put this kind of information out, be prepared to get that kind of information back. Also, tweet useful and relevant information often. The more you use it the more you will be seen and found by other useful and relevant twitter users.

2. Seek out and follow like-minded individuals, and individuals important and relevant to you and what you're doing (and tweeting). You will most likely be followed by many individuals that have nothing in common with you and are merely adding you to get their numbers up, or for spamming. If that happens, you don't have to follow them back. You want your twitter experience to be the way you decide it to be. 

3. Communicate with your followers. Make connections and network with useful and relevant users. This is how relationships, both business-minded and otherwise, can start. Talk directly to your followers, ask questions and answer questions. Twitter uses @replies and @mentions to link to other twitter users, and you can even send direct messages (still with the 140 character limit). What good is a microphone if it isn't turned on.

These three simple ideas are key to avoiding a disastrous twitter experience and will ultimately prevent the program from sucking majorly. Until you really get in there and use the program and get a feel for how it works, it's an uphill debate with non-users or skeptics.

I can attest to the benefits of Twitter firsthand; 

• I run a film and comics news site, www.giantkillersquid.com, and have seen a tremendous increase in my traffic since I started using twitter to share news stories and articles. This is because the content I'm putting out is relevant and of interest to my followers. 

• I've seen my daily average unique site visits go from 12 a day to well over 200. 

• I've met and conversed with other website editors; this is priceless networking for a community-based medium. 

• I've watched special events unfold, take the recent San Diego Comic Con, for example, before my eyes. 

• I've made film-industry contacts and now I'm receiving free products for review and contests, and I'm being set up to interview actors. 

Running a news site means getting information, leads and stories as soon as it happens. Whether it is true is up to the editor to decide and ultimately publish, but twitter makes the mass-spread of news almost instantaneous. In a time were digital media is king and information is power means that twitter is armed to the teeth. 

So you see, tweeting is a lot more than you might think. 

What are you doing? isn't such an easy question, is it?

Follow me on twitter at twitter.com/zombie_elvis

Follow Kevin on twitter at twitter.com/FRANCOMEDIA